Urban cinematic realism is a phenomenon that we share globally. This is because all cities, in different ways, have experienced the same processes of expansion and sprawling, offering a chance for filmmakers around the world to portray the romantic, traumatic and dramatic conditions of the urban periphery.

Perhaps you already know this part of the country, perhaps you don't; The South of Limburg. In 2016 rewarded with the best touristic destination in the world by the World Travel & Tourism Council. Also, the region which earned about 80% of the GNP in parts of the 20th century. It happens to be the place I grew up in and where I walked, cycled and enjoyed myself many times. So with today's theme "where?", I decided to take you to this unique place.

We are currently living, working, eating, sleeping, yawning, crying in an enclosed space. Every single built space we have is operated or inhabited by humans. Heck, you are probably reading this comfortably inside a well-lit building. Thinking further into this, before the brick and mortar phase of this very space you’re sitting in, through the expertise of architects and engineers, we can rely on computer renderings and the scale figures plotted in the scene to be convinced that “yes, this space looks comfortable and meaningful to future users.” This article is here to contribute some awareness to the underlying bias we have for the polished world of architecture rendering. It is impossible to represent architecture without representing the human, yet, in present day, adding people into an architecture render is the last thing on an architect’s task list.