The independent periodical of the Faculty of Architecture and the Built Environment at the Delft University of Technology
Over the past year we have all learnt that sometimes things do not turn out the way we expect. When writing or designing however, we sometimes project personal bias onto our work. Based on our own experiences and individual preferences, we can have either a more positive or negative perspective. This edition explores the themes and subjects in the spectrum between Optimism and Pessimism.
Louisa Hollander, Hidde Dijkstra, Valentin Zech, Oscar Nowak
In my early years as an international student, I held the conviction that, wherever I went, I would contribute to making my environment more diverse. My attitude, as I realised over the years, might have been overly-optimistic.
Following a previous article called “Your teacher and you”, which was about the student-teacher relation, I got a mail from Sake Zijlstra, a teacher at our faculty. Sake and I reflected on the student’s and the teacher’s perspective of situations where the communication during a course fails, and the relation is deprived. Our conversation led to a few thoughts that I quickly wanted to share with you today
The warm softness of my bed amplifies the rawness of the scene. A young man kicks a policeman on his motorbike. The agent, clumsy, reaches for his gun. What follows is a mechanical sequence of movements: aim, fire, miss, get off the motorbike, aim again, pull the trigger twice. His attacker, his enemy, is now dead. Marcelo Agredo, still a teenager, is dead. “This is the country I am going back to,” I think.
Bnieuws is looking for a new editor to join our team!
The latest edition of Bnieuws is now available at the faculty and online! This edition explores colours and the diverse meanings and interpretations they can have, both in architecture and in our personal lives. Get your copy at the faculty or start reading online!
For our February edition of Taboo, we worked with Urbanism student Raven van der Steen to create a linocut design that represented the visual symbology of taboos. Of the 400 copies that we printed of this edition, 350 had a digitally printed version of this cover design. For the remaining 50, we hand-printed the linocut onto the front covers, creating 50 unique editions. See our process here!