Joke design is a historical, multidisciplinary, and interstitial practice. As such, it is (a priori) embedded in our understanding of the world as a joke. In the coming text, our objective will be to structurally delineate a universal understanding of joke design. Although, this will not be a definition per se (Foucault, M. 1973), but rather a definition in itself (Benjamin, W. 1922).

Recently built in London, the MVRDV designed Marble Arch Hill is just the latest case of ‘pavilion for the pavilion’s sake’. But while the premise of an artificial hill might be worth a laugh, the project also raises questions on whether it still makes sense to build temporary structures as vehicles for social (and commercial) aggregation.

BKino is intended as an informal event (a cinema and, therefore, not a cine-forum) aiming at recreating a culture of participation and studentship within the faculty, now that things are opening up to, almost, a pre-pandemic state of affairs. The proposed films follow neither a particular theme nor a specific style. The only recurrent aspect of the program is to have films that are ‘set in places’, with a clear intention to narrate not simply the protagonist’s tale, but also the story of their settings, whether real or fictional. This approach follows a belief that people interested in the built environment, when watching films collectively, will enjoy talking with each other about space and place, and how the film camera, as a narrative tool, relates to them in distinctive ways.