It was April 4th 1960. The realm of the Polish cinematic art scene became divided in how to represent the nation’s painful recent history. In the aftermath of unmeasurable destruction and hardship as Poland became Europe’s battlefield, the filmmakers faced challenges in preserving the memory of suffering and reflecting the moods of their society.

Many jokes play off of stereotypes. One such stereotype is that of the architect that only wears black clothing and takes themselves very seriously. It’s true, architects like this exist, but a short walk around our faculty proves that there is a colourful variety of clothes that we designers wear. “Designer Wardrobe”, an illustration by Jonas Althuis.

BKino is intended as an informal event (a cinema and, therefore, not a cine-forum) aiming at recreating a culture of participation and studentship within the faculty, now that things are opening up to, almost, a pre-pandemic state of affairs. The proposed films follow neither a particular theme nor a specific style. The only recurrent aspect of the program is to have films that are ‘set in places’, with a clear intention to narrate not simply the protagonist’s tale, but also the story of their settings, whether real or fictional. This approach follows a belief that people interested in the built environment, when watching films collectively, will enjoy talking with each other about space and place, and how the film camera, as a narrative tool, relates to them in distinctive ways.