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A few months ago, three students, Saif Ragaei, Ammar Yasser and Mariam Ihab, interviewed by KooZA/rch, realised “how unstable the notion of normal life is by examining the situations where this sense of normalcy is destroyed in a horrific suddenness.” They questioned the fragility of our day to day in the face of political conflict and natural disasters and for the theme of the future of home they sent their contribution of technical drawings of destruction.
“The Architect, History and Her Drawing” is an exhibition organised by the students of the Architectural History Thesis course taught by Jurjen Zeinstra in the first and second semester.
A tale of neither man or woman that are the face of the crowd and not the crowd.
Unknown makes unloved, an interesting proverb isn’t it? Just by definition one can associate unknown with unfamiliarity, something that is yet to be revealed, or maybe something we share a complex dialect with. Through my limited experience, I have also felt how we often don’t fear the unknown, but rather what we project onto the unknown. Being Indian, my “limited experience” obviously would like to peel one such complexity that is part of the Indian fabric, but that over time has mutated into different roles and identities within the society.
The independent periodical of the Faculty of Architecture and the Built Environment at the Delft University of Technology
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