At the heart of a city called Kiruna stands an ordinary red brick building, the function of which is conveyed in red capital letters above it's main entrance; Folkets Hus, Swedish for 'community house'. As such, the building houses a variety of public functions; café, cinema, theatre, tourist information centre, souvenir shop, micro-museum. It's a place where the residents of Kiruna can gather, and where visiting tourists can use the bathroom. 

“The Architect, History and Her Drawing” is an exhibition organised by the students of the Architectural History Thesis course taught by Jurjen Zeinstra in the first and second semester. 

If the Netherlands could choose a flag to represent its culture, the wood windmill would be the single most iconic thing to be on it. With such a tight knitted relationship that this country has for wind, the 2000s era has cultivated the wind into energy, and technology no longer evoke the same feelings as the friendly windmill, but rather, aliens in the empty fields, blank obstructions by the lonely highways. While they hold virtually no meaningful cultural values, can we still humanise the industrial wind turbines? Can we care for them as part of the modern relationship that the Netherlands associates with wind as it rises and falls?