For over a decade, the “Wall of Names” was one of the many celebratory monuments of BK. Furthermore, it represented, by action or omission, what our faculty accepted to be the paradigms of relevance, achievement and success in architecture. Now that it is gone, understanding this wall and its background might open a window for questioning the way in which we created a monument that was supposed to represent an international and diverse community and ended up normalising gender inequality and colonialism.